![]() ![]() The most popular choices are piezos and mags, but many on-board systems combine elements. This design can provide a sound richer in body resonance, but often lacking in clarity and high-end. There are lots of different types of acoustic guitar pickups in use nowadays, from simple add-ons to multi-element built-in systems with electronics, and sound quality varies considerably.Ī third pickup type-less common, but still often used-is a contact pickup, which mounts on the body of the guitar. ![]() Fortunately, there are a number of things you can do-some tweaks may be more effective than others, and the level of effectiveness may range from slight to dramatic improvement, but the result will always be better than just using the DI'd signal as is. Whatever the reason, you're left with a recording that lacks the richness and air that an acoustic guitar track should have, and you need to massage that dry, direct signal into something that will do justice to the instrument. It could be a live recording, in front of a loud band, where a mic would have picked up too much leakage to be usable, or a rehearsal performance, where the playing captured something special, and was used as a keeper. This might be done in a variety of situations. One common cause is a DI'd recording-the use of an on-board pickup to record, instead of a mic. But that's not always an option, and-for a variety of reasons-when you sit down to mix, you may find yourself confronting an acoustic guitar track with a less-than-stellar sound quality. Everybody knows that the best way to capture the sound of the acoustic guitar is by placing a high-quality mic (or two) about a foot in front of the instrument, finding the sweet spot, and hitting record. ![]()
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